Keith Morrison
Tombstones, 1991. Oil on canvas, 62” x 72”

Keith Morrison

Tombstones, 1991. Oil on canvas, 62” x 72”

Keith Morrison
Vanitas, 1991. Oil on canvas, 36” x 36”

Keith Morrison

Vanitas, 1991. Oil on canvas, 36” x 36”

Keith Morrison
Wreath for a City, 1993. Oil on canvas, 54” x 60”

Keith Morrison

Wreath for a City, 1993. Oil on canvas, 54” x 60”

Keith Morrison
Crabs in a Pot, 1994. Oil on canvas, 60” x 64”

Keith Morrison

Crabs in a Pot, 1994. Oil on canvas, 60” x 64”

astrojhon:

sketches sketches

astrojhon:

my friendzespíritus cósmicos (fairies) que cuidan a la tierra.

astrojhon:

my friendz
espíritus cósmicos (fairies) que cuidan a la tierra.

lashyboyart:

Campesino  (2013)part of a series of stickers I made from brown paper, sharpie, and crayons.this figure represents the traditional campesino outfits of Antioquia, Colombia.  the purple poncho is called a ruana in colombia.it is an andean style poncho particular to colombia. ruana comes from the chibcha language.

lashyboyart:

Campesino  (2013)
part of a series of stickers I made from brown paper, sharpie, and crayons.
this figure represents the traditional campesino outfits of Antioquia, Colombia.  the purple poncho is called a ruana in colombia.
it is an andean style poncho particular to colombia. ruana comes from the chibcha language.

astrojhon:

mis primerxs elote goths.  q xulxs <33

astrojhon:

mis primerxs elote goths.
q xulxs <33

artemariposa:

Betsabee Romero
Pan esdestino (bread is destiny), 1999. Bread baked on metal, 86 x 86 x 17 cm

artemariposa:

Betsabee Romero

Pan esdestino (bread is destiny), 1999. Bread baked on metal, 86 x 86 x 17 cm

(via artemariposa)

theartofsculpture:

Betsabeé Romero
Requerdo de la Frontera (Border Memory), 2002. Bas relief on rubber, nine Oaxacan black-clay tiles, (tire) 8 3/4 x 32”
LACMA

theartofsculpture:

Betsabeé Romero

Requerdo de la Frontera (Border Memory), 2002. Bas relief on rubber, nine Oaxacan black-clay tiles, (tire) 8 3/4 x 32”

LACMA

(via artemariposa)